Yes - Close To The Edge -2013- -flac 24-192- =link= [COMPLETE | 2024]
The 2013 release included both the new stereo remix and a 5.1 surround sound mix, catering to all types of audiophiles. 5. Why the 2013 Remastered Original Matters
The "24" refers to the bit depth . This is a measure of the audio's dynamic range—the difference between the quietest and loudest sounds the recording can capture. A standard CD uses 16-bit depth, which provides a theoretical dynamic range of about 96 decibels (dB). A 24-bit recording, however, offers a staggering potential dynamic range of over 144 dB. While a musical performance doesn't reach these theoretical limits, the extra bits provide far more "headroom" and precision. In practice, this translates to capturing the subtle details, like the ambient sound of the recording venue, the quiet decay of a cymbal, and the full, un-squashed impact of a sudden loud passage. This is crucial for a complex album like Close to the Edge , where the interplay between subtle acoustic guitars and Wakeman’s thunderous pipe organ demands a format that can do justice to its full dynamic range.
: In addition to the three core tracks—the 18-minute title epic, "And You and I," and "Siberian Khatru"—this version includes high-resolution extras such as single edits and studio run-throughs of "Siberia". Audio Performance and Fidelity
: Standard CDs use 16-bit audio, offering 96 decibels of dynamic range. A 24-bit file expands this to 144 decibels. This extra headroom allows the quietest acoustic guitar plucks and the loudest drum cracks to coexist naturally without digital compression. Yes - Close To The Edge -2013- -FLAC 24-192-
The 2013 reissue series is famously helmed by Porcupine Tree mastermind Steven Wilson. Unlike traditional mastering engineers who simply tweak the final two-track EQ, Wilson returned to the .
: Includes a new remix of the Simon & Garfunkel cover " America " and an early assembly/rough mix of the title track.
If you are interested in exploring this release further, I can help you: Compare the 2013 remix to the 2013 flat transfer. The 2013 release included both the new stereo remix and a 5
Close To The Edge by the progressive rock band Yes is a pinnacle of musical ambition. Released originally in 1972, the album defines the boundaries of symphonic rock. In 2013, remix pioneer Steven Wilson gave this masterpiece a definitive high-resolution upgrade. The 2013 release in FLAC 24-bit/192kHz format represents the ultimate listening experience for audiophiles and music historians alike.
The 2013 definitive edition of Yes's represents a major milestone for audiophiles, as it was the first in a series of expanded editions to feature new high-resolution mixes. While various digital versions exist, the FLAC 24-bit / 192 kHz format is specifically associated with the "Flat Transfer" of the original 1972 master tape. High-Resolution Audio Specs
The Free Lossless Audio Codec (FLAC) at 24-bit depth and 192kHz sampling rate provides an exact bit-for-bit copy of the studio master tape. Increased Dynamic Range This is a measure of the audio's dynamic
The album itself is a three-track masterpiece of musical integrity.
The "Yes - Close To The Edge -2013- -FLAC 24-192-" release is a landmark in music preservation. It is not merely about higher numbers; it is about the philosophy of presenting a work of art with the utmost respect for its source.
Close to the Edge: The Ultimate Sonic Experience? 🎹✨
The original mix has a warmer, slightly "murkier" charm, while the 2013 remix is brighter and more analytical. 2025 Remix:
: A pastoral, acoustic-driven epic that transforms into a sweeping, symphonic marvel.