: The film features a bouncy, lighthearted score by the renowned composer, which helps maintain its "erotic dramedy" tone. Cinematographic Style and Reception
The Italian verb “trasgredire” means “to transgress” or “to break the rules.” In Brass’s universe, transgression is not sin — it is health. The film’s soft philosophical core argues that rules around sex (jealousy, monogamy as obligation, shame) are cultural constructs that can be dismantled with a smile. Unlike the confrontational transgression of, say, Pasolini’s Salo , Brass’s transgression is sun-drenched and giggling.
To explore the boundaries of their relationship, Carla begins to communicate with Matteo, describing her transgressive experiences and encounters with the various people she meets in London. The film evolves into a fast-paced exploration of fidelity, exhibitionism, and the personal liberation found in exploring one's desires within the framework of a comedic narrative. Key Characteristics of the Film trasgredire cheeky tinto brass 2000 tras
The story follows (Yuliya Mayarchuk), a young Venetian woman living in London while searching for an apartment to share with her boyfriend, Matteo (Jarno Berardi).
Yuliya Mayarchuk incarna perfettamente l'ideale brassiano del periodo: una bellezza carnale ma allo stesso tempo disinvolta. La sua interpretazione di Carla è sfacciata, audace, capace di guidare lo spettatore attraverso le diverse scene senza inibizioni. La sua "trasgressione" è vissuta con una naturalezza che è il vero motore della pellicola. La Ricezione e la Critica : The film features a bouncy, lighthearted score
Back in Italy, the intensely jealous Matteo discovers a nude photograph of Carla and old love letters from her ex-boyfriend. Furious, he rows with her over the phone. Frustrated by his lack of trust and yielding to the hedonistic atmosphere of London, Carla begins to indulge in various sexual escapades, including an affair with Moira.
Upon release, Cheeky was dismissed by many Italian critics as lightweight, but it found its audience on home video and late-night television. For a generation growing up in the early 2000s — before streaming normalized explicit content — Brass’s films were often a first glimpse of European attitudes toward sex: less guilty, more anatomical, and strangely wholesome in their lack of violence. Key Characteristics of the Film The story follows
For those willing to approach it on its own terms — as a comic, erotic romp with a one-track mind — Cheeky is a breezy time capsule. It is not profound. It is not subtle. But like a summer day in Naples, it is warm, unpretentious, and unapologetically itself. Tinto Brass, now in his 90s, remains one of cinema’s last great hedonists. And Trasgredire ? It is simply his smile captured on film.
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For the cinephile looking to explore the director's work, starting with Trasgredire offers an excellent entry point. It provides the best of Brass's visual flair while maintaining a tone that is more approachable than his more extreme films.
In London, Carla meets Moira (Francesca Nunzi), a bisexual real estate agent who offers her a loft with "intimate conditions." Carla begins to explore her own sexual autonomy through affairs with Moira and others.